<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>michaelkrams.com</title>
	<atom:link href="http://michaelkrams.com/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://michaelkrams.com</link>
	<description></description>
	<lastBuildDate>Sat, 25 Jun 2011 14:46:53 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>On the theatre of marionettes &#8211; Heinrich von Kleist</title>
		<link>http://michaelkrams.com/?p=133</link>
		<comments>http://michaelkrams.com/?p=133#comments</comments>
		<pubDate>Thu, 25 Nov 2010 12:00:46 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Theorems]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/?p=133</guid>
		<description><![CDATA[One evening in the winter of 1801 I met an old friend in a public park. He had recently been appointed principal dancer at the local theatre and was enjoying immense popularity with the audiences. I told him I had been surprised to see him more than once at the marionette theatre which had been [...]]]></description>
			<content:encoded><![CDATA[<p>One evening in the winter of 1801 I met an old friend in a public park. He had recently been appointed principal dancer at the local theatre and was enjoying immense popularity with the audiences. I told him I had been surprised to see him more than once at the marionette theatre which had been put up in the market-place to entertain the public with dramatic burlesques interspersed with song and dance. He assured me that the mute gestures of these puppets gave him much satisfaction and told me bluntly that any dancer who wished to perfect his art could learn a lot from them.</p>
<p>From the way he said this I could see it wasn&#8217;t something which had just come into his mind, so I sat down to question him more closely about his reasons for this remarkable assertion.</p>
<p>He asked me if I hadn&#8217;t in fact found some of the dance movements of the puppets (and particularly of the smaller ones) very graceful. This I couldn&#8217;t deny. A group of four peasants dancing the rondo in quick time couldn&#8217;t have been painted more delicately by Teniers.</p>
<p>I inquired about the mechanism of these figures. I wanted to know how it is possible, without having a maze of strings attached to one&#8217;s fingers, to move the separate limbs and extremities in the rhythm of the dance. His answer was that I must not imagine each limb as being individually positioned and moved by the operator in the various phases of the dance. Each movement, he told me, has its centre of gravity; it is enough to control this within the puppet. The limbs, which are only pendulums, then follow mechanically of their own accord, without further help. He added that this movement is very simple. When the centre of gravity is moved in a straight line, the limbs describe curves. Often shaken in a purely haphazard way, the puppet falls into a kind of rhythmic movement which resembles dance.</p>
<p>This observation seemed to me to throw some light at last on the enjoyment he said he got from the marionette theatre, but I was far from guessing the inferences he would draw from it later.</p>
<p>I asked him if he thought the operator who controls these puppets should himself be a dancer or at least have some idea of beauty in the dance. He replied that if a job is technically easy it doesn&#8217;t follow that it can be done entirely without sensitivity. The line the centre of gravity has to follow is indeed very simple, and in most cases, he believed, straight. When it is curved, the law of its curvature seems to be at the least of the first and at the most of the second order. Even in the latter case the line is only elliptical, a form of movement natural to the human body because of the joints, so this hardly demands any great skill from the operator. But, seen from another point of view, this line could be something very mysterious. It is nothing other than the path taken by the soul of the dancer. He doubted if this could be found unless the operator can transpose himself into the centre of gravity of the marionette. In other words, the operator dances.</p>
<p>I said the operator&#8217;s part in the business had been represented to me as something which can be done entirely without feeling &#8211; rather like turning the handle of a barrel-organ.</p>
<p>&#8220;Not at all&#8221;, he said. &#8220;In fact, there&#8217;s a subtle relationship between the movements of his fingers and the movements of the puppets attached to them, something like the relationship between numbers and their logarithms or between asymptote and hyperbola.&#8221; Yet he did believe this last trace of human volition could be removed from the marionettes and their dance transferred entirely to the realm of mechanical forces, even produced, as I had suggested, by turning a handle.</p>
<p>I told him I was astonished at the attention he was paying to this vulgar species of an art form. It wasn&#8217;t just that he thought it capable of loftier development; he seemed to be working to this end himself.</p>
<p>He smiled. He said he was confident that, if he could get a craftsman to construct a marionette to the specifications he had in mind, he could perform a dance with it which neither he nor any other skilled dancer of his time, not even Madame Vestris herself, could equal.</p>
<p>&#8220;Have you heard&#8221;, he asked, as I looked down in silence, &#8220;of those artificial legs made by English craftsmen for people who have been unfortunate enough to lose their own limbs?&#8221;</p>
<p>I said I hadn&#8217;t. I had never seen anything of this kind.</p>
<p>&#8220;I&#8217;m sorry to hear that&#8221;, he said, &#8220;because when I tell you these people dance with them, I&#8217;m almost afraid you won&#8217;t believe me. What am I saying&#8230; dance? The range of their movements is in fact limited, but those they can perform they execute with a certainty and ease and grace which must astound the thoughtful observer.&#8221;</p>
<p>I said with a laugh that of course he had now found his man. The craftsman who could make such remarkable limbs could surely build a complete marionette for him, to his specifications.</p>
<p>&#8220;And what&#8221;, I asked, as he was looking down in some perplexity, &#8220;are the requirements you think of presenting to the ingenuity of this man?&#8221;</p>
<p>&#8220;Nothing that isn&#8217;t to be found in these puppets we see here,&#8221; he replied: &#8220;proportion, flexibility, lightness &#8230;. but all to a higher degree. And especially a more natural arrangement of the centres of gravity.&#8221;</p>
<p>&#8220;And what is the advantage your puppets would have over living dancers?&#8221;</p>
<p>&#8220;The advantage? First of all a negative one, my friend: it would never be guilty of affectation. For affectation is seen, as you know, when the soul, or moving force, appears at some point other than the centre of gravity of the movement. Because the operator controls with his wire or thread only this centre, the attached limbs are just what they should be.… lifeless, pure pendulums, governed only by the law of gravity. This is an excellent quality. You&#8217;ll look for it in vain in most of our dancers.&#8221;</p>
<p>&#8220;Just look at that girl who dances Daphne&#8221;, he went on. &#8220;Pursued by Apollo, she turns to look at him. At this moment her soul appears to be in the small of her back. As she bends, she look as if she&#8217;s going to break, like a naiad after the school of Bernini. Or take that young fellow who dances Paris when he&#8217;s standing among the three goddesses and offering the apple to Venus. His soul is in fact located (and it&#8217;s a frightful thing to see) in his elbow.&#8221;</p>
<p>&#8221; Misconceptions like this are unavoidable,&#8221; he said, &#8221; now that we&#8217;ve eaten of the tree of knowledge. But Paradise is locked and bolted, and the cherubim stands behind us. We have to go on and make the journey round the world to see if it is perhaps open somewhere at the back.&#8221;</p>
<p>This made me laugh. Certainly, I thought, the human spirit can&#8217;t be in error when it is non-existent. I could see that he had more to say, so I begged him to go on.</p>
<p>&#8220;In addition&#8221;, he said, &#8220;these puppets have the advantage of being for all practical purposes weightless. They are not afflicted with the inertia of matter, the property most resistant to dance. The force which raises them into the air is greater than the one which draws them to the ground. What would our good Miss G. give to be sixty pounds lighter or to have a weight of this size as a counterbalance when she is performing her entrechats and pirouettes? Puppets need the ground only to glance against lightly, like elves, and through this momentary check to renew the swing of their limbs. We humans must have it to rest on, to recover from the effort of the dance. This moment of rest is clearly no part of the dance. The best we can do is make it as inconspicuous as possible&#8230;&#8221;</p>
<p>My reply was that, no matter how cleverly he might present his paradoxes, he would never make me believe a mechanical puppet can be more graceful than a living human body. He countered this by saying that, where grace is concerned, it is impossible for man to come anywhere near a puppet. Only a god can equal inanimate matter in this respect. This is the point where the two ends of the circular world meet.</p>
<p>I was absolutely astonished. I didn&#8217;t know what to say to such extraordinary assertions.</p>
<p>It seemed, he said, as he took a pinch of snuff, that I hadn&#8217;t read the third chapter of the book of Genesis with sufficient attention. If a man wasn&#8217;t familiar with that initial period of all human development, it would be difficult to have a fruitful discussion with him about later developments and even more difficult to talk about the ultimate situation.</p>
<p>I told him I was well aware how consciousness can disturb natural grace. A young acquaintance of mine had as it were lost his innocence before my very eyes, and all because of a chance remark. He had never found his way back to that Paradise of innocence, in spite of all conceivable efforts. &#8220;But what inferences&#8221;, I added, &#8220;can you draw from that?&#8221;</p>
<p>He asked me what incident I had in mind.</p>
<p>&#8220;About three years ago&#8221;, I said, &#8220;I was at the baths with a young man who was then remarkably graceful. He was about fifteen, and only faintly could one see the first traces of vanity, a product of the favours shown him by women. It happened that we had recently seen in Paris the figure of the boy pulling a thorn out of his foot. The cast of the statue is well known; you see it in most German collections. My friend looked into a tall mirror just as he was lifting his foot to a stool to dry it, and he was reminded of the statue. He smiled and told me of his discovery. As a matter of fact, I&#8217;d noticed it too, at the same moment, but&#8230; I don&#8217;t know if it was to test the quality of his apparent grace or to provide a salutary counter to his vanity&#8230; I laughed and said he must be imagining things. He blushed. He lifted his foot a second time, to show me, but the effort was a failure, as anybody could have foreseen. He tried it again a third time, a fourth time, he must have lifted his foot ten times, but it was in vain. He was quite unable to reproduce the same movement. What am I saying? The movements he made were so comical that I was hard put to it not to laugh.</p>
<p>From that day, from that very moment, an extraordinary change came over this boy. He began to spend whole days before the mirror. His attractions slipped away from him, one after the other. An invisible and incomprehensible power seemed to settle like a steel net over the free play of his gestures. A year later nothing remained of the lovely grace which had given pleasure to all who looked at him. I can tell you of a man, still alive, who was a witness to this strange and unfortunate event. He can confirm it, word for word, just as I&#8217;ve described it.&#8221;</p>
<p>&#8220;In this connection&#8221;, said my friend warmly, &#8220;I must tell you another story. You&#8217;ll easily see how it fits in here. When I was on my way to Russia, I spent some time on the estate of a Baltic nobleman whose sons had a passion for fencing. The elder, in particular, who had just come down from the university, thought he was a bit of an expert. One morning, when I was in his room, he offered me a rapier. I accepted his challenge but, as it turned out, I had the better of him. It made him angry, and this increased his confusion. Nearly every thrust I made found its mark. At last his rapier flew into the corner of the room. As he picked it up he said, half in anger and half in jest, that he had met his master but that there is a master for everyone and everything &#8211; and now he proposed to lead me to mine. The brothers laughed loudly at this and shouted: &#8220;Come on, down to the shed!&#8221; They took me by the hand and led me outside to make the acquaintance of a bear which their father was rearing on the farm.</p>
<p>&#8220;I was astounded to see the bear standing upright on his hind legs, his back against the post to which he was chained, his right paw raised ready for battle. He looked me straight in the eye. This was his fighting posture. I wasn&#8217;t sure if I was dreaming, seeing such an opponent. They urged me to attack. &#8220;See if you can hit him!&#8221; they shouted. As I had now recovered somewhat from my astonishment I fell on him with my rapier. The bear made a slight movement with his paw and parried my thrust. I feinted, to deceive him. The bear did not move. I attacked again, this time with all the skill I could muster. I know I would certainly have thrust my way through to a human breast, but the bear made a slight movement with his paw and parried my thrust. By now I was almost in the same state as the elder brother had been: the bear&#8217;s utter seriousness robbed me of my composure. Thrusts and feints followed thick and fast, the sweat poured off me, but in vain. It wasn&#8217;t merely that he parried my thrusts like the finest fencer in the world; when I feinted to deceive him he made no move at all. No human fencer could equal his perception in this respect. He stood upright, his paw raised ready for battle, his eye fixed on mine as if he could read my soul there, and when my thrusts were not meant seriously he did not move. Do you believe this story?&#8221;</p>
<p>&#8220;Absolutely&#8221;, I said with joyful approval. &#8220;I&#8217;d believe it from a stranger, it&#8217;s so probable. Why shouldn&#8217;t I believe it from you?&#8221;</p>
<p>&#8220;Now, my excellent friend,&#8221; said my companion, &#8220;you are in possession of all you need to follow my argument. We see that in the organic world, as thought grows dimmer and weaker, grace emerges more brilliantly and decisively. But just as a section drawn through two lines suddenly reappears on the other side after passing through infinity, or as the image in a concave mirror turns up again right in front of us after dwindling into the distance, so grace itself returns when knowledge has as it were gone through an infinity. Grace appears most purely in that human form which either has no consciousness or an infinite consciousness. That is, in the puppet or in the god.&#8221;</p>
<p>&#8220;Does that mean&#8221;, I said in some bewilderment, &#8220;that we must eat again of the tree of knowledge in order to return to the state of innocence?&#8221;</p>
<p>&#8220;Of course&#8221;, he said, &#8220;but that&#8217;s the final chapter in the history of the world.&#8221; </p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=133</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Le bon jugement de la tres sainte et gracieuse Vierge Marie</title>
		<link>http://michaelkrams.com/?p=49</link>
		<comments>http://michaelkrams.com/?p=49#comments</comments>
		<pubDate>Sat, 24 Apr 2010 07:21:31 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/?p=49</guid>
		<description><![CDATA[&#8230;There is, for instance, one such poem, The Wanderings of Our Lady through Hell, with descriptions as bold as Dante&#8217;s. Our Lady visits hell, and the Archangel Michael leads her through the torments&#8230; There she sees one noteworthy set of sinners in a burning lake; some of these &#8216;God forgets&#8217; sink to the bottom of [...]]]></description>
			<content:encoded><![CDATA[<p>&#8230;There is, for instance, one such poem, The Wanderings of Our Lady through Hell, with descriptions as bold as Dante&#8217;s. Our Lady visits hell, and the Archangel Michael leads her through the torments&#8230; There she sees one noteworthy set of sinners in a burning lake; some of these &#8216;God forgets&#8217; sink to the bottom of the lake so that they can&#8217;t swim out. Our Lady, shocked and weeping, falls before the throne of God and begs for mercy for all in hell. She beseeches Him, she will not desist, and when God points to the hands and feet of her Son, nailed to the Cross, and asks, &#8216;How can I forgive His tormentors?&#8217; she bids all the saints, all the martyrs, all the angels and archangels to fall down with her and pray for mercy on all without distinction. It ends by her winning from God a respite of suffering every year from Good Friday till Trinity Day, and the sinners at once raise a cry of thankfulness from hell, chanting, &#8216;Thou art just, O Lord, in this judgment.&#8217;</p>
<p>It is true there were many miracles in those days. There were saints who performed miraculous cures; some holy people, according to their biographies, were visited by the Queen of Heaven herself. But the devil did not slumber, and doubts were already arising among men of the truth of these miracles.</p>
<p>And behold, He deigned to appear for a moment to the people, to the tortured, suffering people, sunk in iniquity, but loving Him like children. My story is laid in Spain, in Seville, in the most terrible time of the Inquisition, when fires were lit every day to the glory of God, and &#8216;in the splendid auto-da-fe the wicked heretics were burnt.&#8217; He visited His children only for a moment, where the flames were crackling round the heretics. In His infinite mercy He came once more among men in that human shape in which He walked among men for thirty-three years fifteen centuries ago&#8230;</p>
<p>He came softly, unobserved, and yet, strange to say, everyone recognized Him. The people are irresistibly drawn to Him, they surround Him, they flock about Him, follow Him. He moves silently in their midst with a gentle smile of infinite compassion. The sun of love burns in His heart, and power shines from His eyes, and their radiance, shed on the people, stirs their hearts with responsive love. He holds out His hands to them, blesses them, and a healing virtue comes from contact with Him, even with His garments. An old man in the crowd, blind from childhood, cries out, &#8216;O Lord, heal me and I shall see Thee!&#8217; and, as it were, scales fall from his eyes and the blind man sees Him. The crowd weeps and kisses the earth under His feet. Children throw flowers before Him, sing, and cry hosannah. &#8216;It is He &#8212; it is He! It must be He, it can be no other!&#8217; He stops at the steps of the Seville cathedral. Weeping mourners are bringing in a little open white coffin. In it lies a child of seven, the only daughter of a prominent citizen. &#8216;He will raise your child,&#8217; the crowd shouts to the weeping mother. The priest, coming to meet the coffin, looks perplexed, and frowns, but the mother of the dead child throws herself at His feet with a wail. &#8216;If it is You, raise my child!&#8217; she cries, holding out her hands to Him. The procession halts, the coffin is laid on the steps at His feet. He looks with compassion, and His lips once more softly pronounce, &#8216;Arise!&#8217; and she arises. The little girl sits up in the coffin, looks around, smiling with wide-open wondering eyes, holding a bunch of white roses they had put in her hand.</p>
<p>There are cries, sobs, confusion among the people, and at that moment the cardinal himself, the Grand Inquisitor, passes by the cathedral. He is an old man, almost ninety, tall and erect, with a withered face and sunken eyes, in which there is still a gleam of light. He is not dressed in his gorgeous cardinal&#8217;s robes, as he was the day before, when he was burning the enemies of the Roman Church- at this moment he is wearing his coarse, old, monk&#8217;s cassock. At a distance behind him come his gloomy assistants and the &#8216;holy guard.&#8217; He stops at the sight of the crowd and watches it from a distance. He sees everything; he sees them set the coffin down at His feet, sees the child rise up, and his face darkens. He knits his thick grey brows and his eyes gleam with a sinister fire. He holds out his finger and orders the guards to arrest Him. And such is his power, so completely are the people cowed into submission and trembling obedience to him, that the crowd immediately makes way for the guards, and in the midst of deathlike silence they lay hands on Him and lead him away. The crowd instantly bows down to the earth, like one man, before the old Inquisitor. He blesses the people in silence and passes on.</p>
<p>The guards lead their prisoner to the close, gloomy vaulted prison &#8212; in the ancient palace of the Holy Inquisition and shut him in it. The day passes and is followed by the dark, burning night of Seville. The air is fragrant with laurel and lemon. In the pitch darkness the iron door of the prison is suddenly opened and the Grand Inquisitor himself comes in with a light in his hand. He is alone; the door is closed at once behind him. He stands in the doorway and for a minute or two gazes into His face. At last he goes up slowly, sets the light on the table and speaks.</p>
<p>&#8220;&#8216;Is it You?&#8217; but receiving no answer, he adds at once. &#8216;Don&#8217;t answer, be silent. What indeed can You say? I know too well what You would say. And You have no right to add anything to what You previously said. Why, then, are You coming back to confuse us? I do not know who You are and quite frankly, I do not care. Tomorrow I shall condemn You and have you burnt &#8211; as the worst of heretics. The same people who have kissed Your feet today, will rush to burn You tomorrow. Did You not often say &#8220;I will make you free&#8221;? We have paid dearly for it, but at last we have completed that work in Your name. For the first time it has become possible to think of the happiness of men. Man was created a rebel; how can rebels be happy? You were warned, but You did not listen.</p>
<p>The spirit of self-destruction and non-existence talked with You in the wilderness, and we are told that he &#8220;tempted&#8221; You. Is that so? The statement of those three questions was itself the miracle. If it were possible to imagine simply for the sake of argument that those three questions of the dread spirit had perished utterly from the books, and that we had to restore them and to invent them anew, and to do so had gathered together all the wise men of the earth &#8212; rulers, chief priests, learned men, philosophers, poets &#8212; and had set them the task to invent three questions, such as would not only fit the occasion, but express in three words, three human phrases, the whole future history of the world and of humanity &#8212; do You believe that all the wisdom of the earth united could have invented anything in depth and force equal to the three questions which were actually put to Thee then by the wise and mighty spirit in the wilderness? From those questions alone, from the miracle of their statement, we can see that we have here to do not with the fleeting human intelligence, but with the absolute and eternal. For in those three questions the whole subsequent history of mankind is, as it were, brought together into one whole, and foretold, and in them are united all the unsolved historical contradictions of human nature. At the time it could not be so clear, since the future was unknown; but now we see that everything in those three questions was so justly divined and foretold, and has been so truly fulfilled, that nothing can be added to them or taken from them.</p>
<p>Judge Yourself who was right &#8211; You or he who questioned You then? Remember the first question; its meaning, in other words, was this: &#8220;You would go into the world, and are going with empty hands, with some promise of freedom which men in their simplicity and natural unruliness cannot understand, which they fear and dread &#8211; nothing has ever been more insupportable for a man and a human society than freedom. But seest Thou these stones in this parched and barren wilderness? Turn them into bread, and mankind will run after Thee like a flock of sheep, grateful and obedient, though for ever trembling, lest Thou withdraw Thy hand and deny them Thy bread.&#8221; But Thou wouldst not deprive man of freedom and didst reject the offer, thinking, what is that freedom worth if obedience is bought with bread? Thou didst reply that man lives not by bread alone. But dost Thou know that for the sake of that earthly bread the spirit of the earth will rise up against Thee and will strive with Thee and overcome Thee, and all will follow him, crying, &#8220;Who can compare with this beast? He has given us fire from heaven!&#8221; Dost Thou know that the ages will pass, and humanity will proclaim by the lips of their sages that there is no crime, and therefore no sin; there is only hunger? &#8220;Feed men, and then ask of them virtue!&#8221; that&#8217;s what they&#8217;ll write on the banner, which they will raise against Thee, and with which they will destroy Thy temple. Where Thy temple stood will rise a new building; the terrible tower of Babel will be built again, and though, like the one of old, it will not be finished, yet Thou mightest have prevented that new tower and have cut short the sufferings of men for a thousand years; for they will come back to us after a thousand years of agony with their tower. They will seek us again, hidden underground in the catacombs, for we shall be again persecuted and tortured. They will find us and cry to us, &#8220;Feed us, for those who have promised us fire from heaven haven&#8217;t given it!&#8221; And then we shall finish building their tower, for he finishes the building who feeds them. And we alone shall feed them in Thy name, declaring falsely that it is in Thy name. Oh, never, never can they feed themselves without us! No science will give them bread so long as they remain free. In the end they will lay their freedom at our feet, and say to us, &#8220;Make us your slaves, but feed us.&#8221; They will understand themselves, at last, that freedom and bread enough for all are inconceivable together, for never, never will they be able to share between them! They will be convinced, too, that they can never be free, for they are weak, vicious, worthless, and rebellious. Thou didst promise them the bread of Heaven, but, I repeat again, can it compare with earthly bread in the eyes of the weak, ever sinful and ignoble race of man? And if for the sake of the bread of Heaven thousands shall follow Thee, what is to become of the millions and tens of thousands of millions of creatures who will not have the strength to forego the earthly bread for the sake of the heavenly? Or dost Thou care only for the tens of thousands of the great and strong, while the millions, numerous as the sands of the sea, who are weak but love Thee, must exist only for the sake of the great and strong? No, we care for the weak too. They are sinful and rebellious, but in the end they too will become obedient. They will marvel at us and look on us as gods, because we are ready to endure the freedom which they have found so dreadful and to rule over them- so awful it will seem to them to be free. But we shall tell them that we are Thy servants and rule them in Thy name. We shall deceive them again, for we will not let Thee come to us again. That deception will be our suffering, for we shall be forced to lie.</p>
<p>&#8220;&#8216;This is the significance of the first question in the wilderness, and this is what Thou hast rejected for the sake of that freedom which Thou hast exalted above everything. Yet in this question lies hid the great secret of this world. Choosing &#8220;bread,&#8221; Thou wouldst have satisfied the universal and everlasting craving of humanity &#8212; to find someone to worship. So long as man remains free he strives for nothing so incessantly and so painfully as to find someone to worship. But man seeks to worship what is established beyond dispute, so that all men would agree at once to worship it. For these pitiful creatures are concerned not only to find what one or the other can worship, but to find community of worship is the chief misery of every man individually and of all humanity from the beginning of time. For the sake of common worship they&#8217;ve slain each other with the sword. They have set up gods and challenged one another, &#8220;Put away your gods and come and worship ours, or we will kill you and your gods!&#8221; And so it will be to the end of the world, even when gods disappear from the earth; they will fall down before idols just the same. Thou didst know, Thou couldst not but have known, this fundamental secret of human nature, but Thou didst reject the one infallible banner which was offered Thee to make all men bow down to Thee alone &#8212; the banner of earthly bread; and Thou hast rejected it for the sake of freedom and the bread of Heaven. Behold what Thou didst further. And all again in the name of freedom! I tell Thee that man is tormented by no greater anxiety than to find someone quickly to whom he can hand over that gift of freedom with which the ill-fated creature is born. But only one who can appease their conscience can take over their freedom. In bread there was offered Thee an invincible banner; give bread, and man will worship thee, for nothing is more certain than bread. But if someone else gains possession of his conscience &#8212; Oh! then he will cast away Thy bread and follow after him who has ensnared his conscience. In that Thou wast right. For the secret of man&#8217;s being is not only to live but to have something to live for. Without a stable conception of the object of life, man would not consent to go on living, and would rather destroy himself than remain on earth, though he had bread in abundance. That is true. But what happened? Instead of taking men&#8217;s freedom from them, Thou didst make it greater than ever! Didst Thou forget that man prefers peace, and even death, to freedom of choice in the knowledge of good and evil? Nothing is more seductive for man than his freedom of conscience, but nothing is a greater cause of suffering. And behold, instead of giving a firm foundation for setting the conscience of man at rest for ever, Thou didst choose all that is exceptional, vague and enigmatic; Thou didst choose what was utterly beyond the strength of men, acting as though Thou didst not love them at all- Thou who didst come to give Thy life for them! Instead of taking possession of men&#8217;s freedom, Thou didst increase it, and burdened the spiritual kingdom of mankind with its sufferings for ever. Thou didst desire man&#8217;s free love, that he should follow Thee freely, enticed and taken captive by Thee. In place of the rigid ancient law, man must hereafter with free heart decide for himself what is good and what is evil, having only Thy image before him as his guide. But didst Thou not know that he would at last reject even Thy image and Thy truth, if he is weighed down with the fearful burden of free choice? They will cry aloud at last that the truth is not in Thee, for they could not have been left in greater confusion and suffering than Thou hast caused, laying upon them so many cares and unanswerable problems.</p>
<p>&#8220;&#8216;So that, in truth, Thou didst Thyself lay the foundation for the destruction of Thy kingdom, and no one is more to blame for it. Yet what was offered Thee? There are three powers, three powers alone, able to conquer and to hold captive for ever the conscience of these impotent rebels for their happiness those forces are miracle, mystery and authority. Thou hast rejected all three and hast set the example for doing so. When the wise and dread spirit set Thee on the pinnacle of the temple and said to Thee, &#8220;If Thou wouldst know whether Thou art the Son of God then cast Thyself down, for it is written: the angels shall hold him up lest he fall and bruise himself, and Thou shalt know then whether Thou art the Son of God and shalt prove then how great is Thy faith in Thy Father.&#8221; But Thou didst refuse and wouldst not cast Thyself down. Oh, of course, Thou didst proudly and well, like God; but the weak, unruly race of men, are they gods? Oh, Thou didst know then that in taking one step, in making one movement to cast Thyself down, Thou wouldst be tempting God and have lost all Thy faith in Him, and wouldst have been dashed to pieces against that earth which Thou didst come to save. And the wise spirit that tempted Thee would have rejoiced. But I ask again, are there many like Thee? And couldst Thou believe for one moment that men, too, could face such a temptation? Is the nature of men such, that they can reject miracle, and at the great moments of their life, the moments of their deepest, most agonising spiritual difficulties, cling only to the free verdict of the heart? Oh, Thou didst know that Thy deed would be recorded in books, would be handed down to remote times and the utmost ends of the earth, and Thou didst hope that man, following Thee, would cling to God and not ask for a miracle. But Thou didst not know that when man rejects miracle he rejects God too; for man seeks not so much God as the miraculous. And as man cannot bear to be without the miraculous, he will create new miracles of his own for himself, and will worship deeds of sorcery and witchcraft, though he might be a hundred times over a rebel, heretic and infidel. Thou didst not come down from the Cross when they shouted to Thee, mocking and reviling Thee, &#8220;Come down from the cross and we will believe that Thou art He.&#8221; Thou didst not come down, for again Thou wouldst not enslave man by a miracle, and didst crave faith given freely, not based on miracle. Thou didst crave for free love and not the base raptures of the slave before the might that has overawed him for ever. But Thou didst think too highly of men therein, for they are slaves, of course, though rebellious by nature. Look round and judge; fifteen centuries have passed, look upon them. Whom hast Thou raised up to Thyself? I swear, man is weaker and baser by nature than Thou hast believed him! Can he, can he do what Thou didst? By showing him so much respect, Thou didst, as it were, cease to feel for him, for Thou didst ask far too much from him &#8212; Thou who hast loved him more than Thyself! Respecting him less, Thou wouldst have asked less of him. That would have been more like love, for his burden would have been lighter. He is weak and vile. What though he is everywhere now rebelling against our power, and proud of his rebellion? It is the pride of a child and a schoolboy. They are little children rioting and barring out the teacher at school. But their childish delight will end; it will cost them dear. Mankind as a whole has always striven to organise a universal state. There have been many great nations with great histories, but the more highly they were developed the more unhappy they were, for they felt more acutely than other people the craving for world-wide union. The great conquerors, Timours and Ghenghis-Khans, whirled like hurricanes over the face of the earth striving to subdue its people, and they too were but the unconscious expression of the same craving for universal unity. Hadst Thou taken the world and Caesar&#8217;s purple, Thou wouldst have founded the universal state and have given universal peace. For who can rule men if not he who holds their conscience and their bread in his hands? We have taken the sword of Caesar, and in taking it, of course, have rejected Thee and followed him. Oh, ages are yet to come of the confusion of free thought, of their science and cannibalism. For having begun to build their tower of Babel without us, they will end, of course, with cannibalism. But then the beast will crawl to us and lick our feet and spatter them with tears of blood. And we shall sit upon the beast and raise the cup, and on it will be written, &#8220;Mystery.&#8221; But then, and only then, the reign of peace and happiness will come for men. Thou art proud of Thine elect, but Thou hast only the elect, while we give rest to all. And besides, how many of those elect, those mighty ones who could become elect, have grown weary waiting for Thee, and have transferred and will transfer the powers of their spirit and the warmth of their heart to the other camp, and end by raising their free banner against Thee. Thou didst Thyself lift up that banner. But with us all will be happy and will no more rebel nor destroy one another as under Thy freedom. Oh, we shall persuade them that they will only become free when they renounce their freedom to us and submit to us. And shall we be right or shall we be lying? They will be convinced that we are right, for they will remember the horrors of slavery and confusion to which Thy freedom brought them. Freedom, free thought, and science will lead them into such straits and will bring them face to face with such marvels and insoluble mysteries, that some of them, the fierce and rebellious, will destroy themselves, others, rebellious but weak, will destroy one another, while the rest, weak and unhappy, will crawl fawning to our feet and whine to us: &#8220;Yes, you were right, you alone possess His mystery, and we come back to you, save us from ourselves!&#8221;</p>
<p>&#8220;&#8216;Receiving bread from us, they will see clearly that we take the bread made by their hands from them, to give it to them, without any miracle. They will see that we do not change the stones to bread, but in truth they will be more thankful for taking it from our hands than for the bread itself! For they will remember only too well that in old days, without our help, even the bread they made turned to stones in their hands, while since they have come back to us, the very stones have turned to bread in their hands. Too, too well will they know the value of complete submission! And until men know that, they will be unhappy. Who is most to blame for their not knowing it?-speak! Who scattered the flock and sent it astray on unknown paths? But the flock will come together again and will submit once more, and then it will be once for all. Then we shall give them the quiet humble happiness of weak creatures such as they are by nature. Oh, we shall persuade them at last not to be proud, for Thou didst lift them up and thereby taught them to be proud. We shall show them that they are weak, that they are only pitiful children, but that childlike happiness is the sweetest of all. They will become timid and will look to us and huddle close to us in fear, as chicks to the hen. They will marvel at us and will be awe-stricken before us, and will be proud at our being so powerful and clever that we have been able to subdue such a turbulent flock of thousands of millions. They will tremble impotently before our wrath, their minds will grow fearful, they will be quick to shed tears like women and children, but they will be just as ready at a sign from us to pass to laughter and rejoicing, to happy mirth and childish song. Yes, we shall set them to work, but in their leisure hours we shall make their life like a child&#8217;s game, with children&#8217;s songs and innocent dance. Oh, we shall allow them even sin, they are weak and helpless, and they will love us like children because we allow them to sin. We shall tell them that every sin will be expiated, if it is done with our permission, that we allow them to sin because we love them, and the punishment for these sins we take upon ourselves. And we shall take it upon ourselves, and they will adore us as their saviours who have taken on themselves their sins before God. And they will have no secrets from us. We shall allow or forbid them to live with their wives and mistresses, to have or not to have children according to whether they have been obedient or disobedient &#8212; and they will submit to us gladly and cheerfully. The most painful secrets of their conscience, all, all they will bring to us, and we shall have an answer for all. And they will be glad to believe our answer, for it will save them from the great anxiety and terrible agony they endure at present in making a free decision for themselves. And all will be happy, all the millions of creatures except the hundred thousand who rule over them. For only we, we who guard the mystery, shall be unhappy. There will be thousands of millions of happy babes, and a hundred thousand sufferers who have taken upon themselves the curse of the knowledge of good and evil. Peacefully they will die, peacefully they will expire in Thy name, and beyond the grave they will find nothing but death. But we shall keep the secret, and for their happiness we shall allure them with the reward of heaven and eternity. Though if there were anything in the other world, it certainly would not be for such as they. It is prophesied that Thou wilt come again in victory, Thou wilt come with Thy chosen, the proud and strong, but we will say that they have only saved themselves, but we have saved all. We are told that the harlot who sits upon the beast, and holds in her hands the mystery, shall be put to shame, that the weak will rise up again, and will rend her royal purple and will strip naked her loathsome body. But then I will stand up and point out to Thee the thousand millions of happy children who have known no sin. And we who have taken their sins upon us for their happiness will stand up before Thee and say: &#8220;Judge us if Thou canst and darest.&#8221; Know that I fear Thee not. Know that I too have been in the wilderness, I too have lived on roots and locusts, I too prized the freedom with which Thou hast blessed men, and I too was striving to stand among Thy elect, among the strong and powerful, thirsting &#8220;to make up the number.&#8221; But I awakened and would not serve madness. I turned back and joined the ranks of those who have corrected Thy work. I left the proud and went back to the humble, for the happiness of the humble. What I say to Thee will come to pass, and our dominion will be built up. I repeat, to-morrow Thou shalt see that obedient flock who at a sign from me will hasten to heap up the hot cinders about the pile on which I shall burn Thee for coming to hinder us. For if anyone has ever deserved our fires, it is Thou. To-morrow I shall burn Thee. Dixi.&#8217;&#8221;*</p>
<p>* I have spoken.</p>
<p>Ivan stopped. He was carried away as he talked, and spoke with excitement; when he had finished, he suddenly smiled.</p>
<p>Alyosha had listened in silence; towards the end he was greatly moved and seemed several times on the point of interrupting, but restrained himself. Now his words came with a rush.</p>
<p>&#8220;But&#8230; that&#8217;s absurd!&#8221; he cried, flushing. &#8220;Your poem is in praise of Jesus, not in blame of Him &#8212; as you meant it to be. And who will believe you about freedom? Is that the way to understand it? That&#8217;s not the idea of it in the Orthodox Church&#8230;. That&#8217;s Rome, and not even the whole of Rome, it&#8217;s false-those are the worst of the Catholics the Inquisitors, the Jesuits!&#8230; And there could not be such a fantastic creature as your Inquisitor. What are these sins of mankind they take on themselves? Who are these keepers of the mystery who have taken some curse upon themselves for the happiness of mankind? When have they been seen? We know the Jesuits, they are spoken ill of, but surely they are not what you describe? They are not that at all, not at all&#8230;. They are simply the Roman army for the earthly sovereignty of the world in the future, with the Pontiff of Rome for Emperor&#8230; that&#8217;s their ideal, but there&#8217;s no sort of mystery or lofty melancholy about it&#8230;. It&#8217;s simple lust of power, of filthy earthly gain, of domination-something like a universal serfdom with them as masters-that&#8217;s all they stand for. They don&#8217;t even believe in God perhaps. Your suffering Inquisitor is a mere fantasy.&#8221;</p>
<p>&#8220;Stay, stay,&#8221; laughed Ivan. &#8220;how hot you are! A fantasy you say, let it be so! Of course it&#8217;s a fantasy. But allow me to say: do you really think that the Roman Catholic movement of the last centuries is actually nothing but the lust of power, of filthy earthly gain? Is that Father Paissy&#8217;s teaching?&#8221;</p>
<p>&#8220;No, no, on the contrary, Father Paissy did once say something rather the same as you&#8230; but of course it&#8217;s not the same, not a bit the same,&#8221; Alyosha hastily corrected himself.</p>
<p>&#8220;A precious admission, in spite of your &#8216;not a bit the same.&#8217; I ask you why your Jesuits and Inquisitors have united simply for vile material gain? Why can there not be among them one martyr oppressed by great sorrow and loving humanity? You see, only suppose that there was one such man among all those who desire nothing but filthy material gain-if there&#8217;s only one like my old Inquisitor, who had himself eaten roots in the desert and made frenzied efforts to subdue his flesh to make himself free and perfect. But yet all his life he loved humanity, and suddenly his eyes were opened, and he saw that it is no great moral blessedness to attain perfection and freedom, if at the same time one gains the conviction that millions of God&#8217;s creatures have been created as a mockery, that they will never be capable of using their freedom, that these poor rebels can never turn into giants to complete the tower, that it was not for such geese that the great idealist dreamt his dream of harmony. Seeing all that he turned back and joined &#8212; the clever people. Surely that could have happened?&#8221;</p>
<p>&#8220;Joined whom, what clever people?&#8221; cried Alyosha, completely carried away. &#8220;They have no such great cleverness and no mysteries and secrets&#8230;. Perhaps nothing but Atheism, that&#8217;s all their secret. Your Inquisitor does not believe in God, that&#8217;s his secret!&#8221;</p>
<p>&#8220;What if it is so! At last you have guessed it. It&#8217;s perfectly true, it&#8217;s true that that&#8217;s the whole secret, but isn&#8217;t that suffering, at least for a man like that, who has wasted his whole life in the desert and yet could not shake off his incurable love of humanity? In his old age he reached the clear conviction that nothing but the advice of the great dread spirit could build up any tolerable sort of life for the feeble, unruly, &#8216;incomplete, empirical creatures created in jest.&#8217; And so, convinced of this, he sees that he must follow the counsel of the wise spirit, the dread spirit of death and destruction, and therefore accept lying and deception, and lead men consciously to death and destruction, and yet deceive them all the way so that they may not notice where they are being led, that the poor blind creatures may at least on the way think themselves happy. And note, the deception is in the name of Him in Whose ideal the old man had so fervently believed all his life long. Is not that tragic? And if only one such stood at the head of the whole army &#8216;filled with the lust of power only for the sake of filthy gain&#8217; &#8212; would not one such be enough to make a tragedy? More than that, one such standing at the head is enough to create the actual leading idea of the Roman Church with all its armies and Jesuits, its highest idea. I tell you frankly that I firmly believe that there has always been such a man among those who stood at the head of the movement. Who knows, there may have been some such even among the Roman Popes. Who knows, perhaps the spirit of that accursed old man who loves mankind so obstinately in his own way, is to be found even now in a whole multitude of such old men, existing not by chance but by agreement, as a secret league formed long ago for the guarding of the mystery, to guard it from the weak and the unhappy, so as to make them happy. No doubt it is so, and so it must be indeed. I fancy that even among the Masons there&#8217;s something of the same mystery at the bottom, and that that&#8217;s why the Catholics so detest the Masons as their rivals breaking up the unity of the idea, while it is so essential that there should be one flock and one shepherd&#8230;. But from the way I defend my idea I might be an author impatient of your criticism. Enough of it.&#8221;</p>
<p>&#8220;You are perhaps a Mason yourself!&#8221; broke suddenly from Alyosha. &#8220;You don&#8217;t believe in God,&#8221; he added, speaking this time very sorrowfully. He fancied besides that his brother was looking at him ironically. &#8220;How does your poem end?&#8221; he asked, suddenly looking down. &#8220;Or was it the end?&#8221;</p>
<p>&#8220;I meant to end it like this. When the Inquisitor ceased speaking he waited some time for his Prisoner to answer him. His silence weighed down upon him. He saw that the Prisoner had listened intently all the time, looking gently in his face and evidently not wishing to reply. The old man longed for him to say something, however bitter and terrible. But He suddenly approached the old man in silence and softly kissed him on his bloodless aged lips. That was all his answer. The old man shuddered. His lips moved. He went to the door, opened it, and said to Him: &#8216;Go, and come no more&#8230; come not at all, never, never!&#8217; And he let Him out into the dark alleys of the town. The Prisoner went away.&#8221;</p>
<p>&#8220;And the old man?&#8221;</p>
<p>&#8220;The kiss glows in his heart, but the old man adheres to his idea.&#8221;</p>
<p>&#8220;And you with him, you too?&#8221; cried Alyosha, mournfully.</p>
<p>Ivan laughed.</p>
<p>&#8220;Why, it&#8217;s all nonsense, Alyosha. It&#8217;s only a senseless poem of a senseless student, who could never write two lines of verse. Why do you take it so seriously? Surely you don&#8217;t suppose I am going straight off to the Jesuits, to join the men who are correcting His work? Good Lord, it&#8217;s no business of mine. I told you, all I want is to live on to thirty, and then&#8230; dash the cup to the ground!&#8221;</p>
<p>&#8220;But the little sticky leaves, and the precious tombs, and the blue sky, and the woman you love! How will you live, how will you love them?&#8221; Alyosha cried sorrowfully. &#8220;With such a hell in your heart and your head, how can you? No, that&#8217;s just what you are going away for, to join them&#8230; if not, you will kill yourself, you can&#8217;t endure it!&#8221;</p>
<p>&#8220;There is a strength to endure everything,&#8221; Ivan said with a cold smile.</p>
<p>&#8220;The strength of the Karamazovs &#8212; the strength of the Karamazov baseness.&#8221;</p>
<p>&#8220;To sink into debauchery, to stifle your soul with corruption, yes?&#8221;</p>
<p>&#8220;Possibly even that&#8230; only perhaps till I am thirty I shall escape it, and then-&#8221;</p>
<p>&#8220;How will you escape it? By what will you escape it? That&#8217;s impossible with your ideas.&#8221;</p>
<p>&#8220;In the Karamazov way, again.&#8221;</p>
<p>&#8220;&#8216;Everything is lawful,&#8217; you mean? Everything is lawful, is that it?&#8221;</p>
<p>Ivan scowled, and all at once turned strangely pale.</p>
<p>&#8220;Ah, you&#8217;ve caught up yesterday&#8217;s phrase, which so offended Muisov &#8212; and which Dmitri pounced upon so naively and paraphrased!&#8221; he smiled queerly. &#8220;Yes, if you like, &#8216;everything is lawful&#8217; since the word has been said, I won&#8217;t deny it. And Mitya&#8217;s version isn&#8217;t bad.&#8221;</p>
<p>Alyosha looked at him in silence.</p>
<p>&#8220;I thought that going away from here I have you at least,&#8221; Ivan said suddenly, with unexpected feeling; &#8220;but now I see that there is no place for me even in your heart, my dear hermit. The formula, &#8216;all is lawful,&#8217; I won&#8217;t renounce &#8212; will you renounce me for that, yes?&#8221;</p>
<p>Alyosha got up, went to him and softly kissed him on the lips.</p>
<p>&#8220;That&#8217;s plagiarism,&#8221; cried Ivan, highly delighted. &#8220;You stole that from my poem. Thank you though. Get up, Alyosha, it&#8217;s time we were going, both of us.&#8221;</p>
<p>They went out, but stopped when they reached the entrance of the restaurant.</p>
<p>&#8220;Listen, Alyosha,&#8221; Ivan began in a resolute voice, &#8220;if I am really able to care for the sticky little leaves I shall only love them, remembering you. It&#8217;s enough for me that you are somewhere here, and I shan&#8217;t lose my desire for life yet. Is that enough for you? Take it as a declaration of love if you like. And now you go to the right and I to the left. And it&#8217;s enough, do you hear, enough. I mean even if I don&#8217;t go away to-morrow (I think I certainly shall go) and we meet again, don&#8217;t say a word more on these subjects. I beg that particularly. And about Dmitri too, I ask you specially, never speak to me again,&#8221; he added, with sudden irritation; &#8220;it&#8217;s all exhausted, it has all been said over and over again, hasn&#8217;t it? And I&#8217;ll make you one promise in return for it. When at thirty, I want to &#8216;dash the cup to the ground,&#8217; wherever I may be I&#8217;ll come to have one more talk with you, even though it were from America, you may be sure of that. I&#8217;ll come on purpose. It will be very interesting to have a look at you, to see what you&#8217;ll be by that time. It&#8217;s rather a solemn promise, you see. And we really may be parting for seven years or ten. Come, go now to your Pater Seraphicus, he is dying. If he dies without you, you will be angry with me for having kept you. Good-bye, kiss me once more; that&#8217;s right, now go.&#8221;</p>
<p>Ivan turned suddenly and went his way without looking back. It was just as Dmitri had left Alyosha the day before, though the parting had been very different. The strange resemblance flashed like an arrow through Alyosha&#8217;s mind in the distress and dejection of that moment. He waited a little, looking after his brother. He suddenly noticed that Ivan swayed as he walked and that his right shoulder looked lower than his left. He had never noticed it before. But all at once he turned too, and almost ran to the monastery. It was nearly dark, and he felt almost frightened; something new was growing up in him for which he could not account. The wind had risen again as on the previous evening, and the ancient pines murmured gloomily about him when he entered the hermitage copse. He almost ran. &#8220;Pater Seraphicus- he got that name from somewhere &#8212; where from?&#8221; Alyosha wondered. &#8220;Ivan, poor Ivan, and when shall I see you again?&#8230; Here is the hermitage. Yes, yes, that he is, Pater Seraphicus, he will save me &#8212; from him and for ever!&#8221;</p>
<p>Several times afterwards he wondered how he could, on leaving Ivan, so completely forget his brother Dmitri, though he had that morning, only a few hours before, so firmly resolved to find him and not to give up doing so, even should he be unable to return to the monastery that night.</p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=49</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>L&#8217;enfant terrible</title>
		<link>http://michaelkrams.com/?p=55</link>
		<comments>http://michaelkrams.com/?p=55#comments</comments>
		<pubDate>Tue, 29 Apr 2008 19:50:50 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Theorems]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2008/04/29/rosalinde-haas-bio/</guid>
		<description><![CDATA[Rosalinde Haas learned to play the organ at the age of seven, sitting next to her father, playing the pedal parts when her father would perform at church services. After studies at Stuttgart&#8217;s Academy of Music, she went on to work with Maestro Fernando Germani at the Academy of St. Cecilia in Rome, and also [...]]]></description>
			<content:encoded><![CDATA[<p>Rosalinde Haas learned to play the organ at the age of seven, sitting next to her father, playing the pedal parts when her father would perform at church services. After studies at Stuttgart&#8217;s Academy of Music, she went on to work with Maestro Fernando Germani at the Academy of St. Cecilia in Rome, and also studied with Helmut Walcha in Frankfurt/Main. Her concert repertoire includes Johann Sebastian Bach, Cesar Franck, Charles Widor, Max Reger, Maurice Dupre, Maurice Durufle, Olivier Messiaen, Paul Hindemith, Max Baumann. A passionate teacher, she held the post of Professor of Organ at the Robert Schumann Academy in DÃ¼sseldorf, where she explained how to use your feet as if you were Speedy Gonzalez. In a mammoth effort she recorded all of Max Reger&#8217;s organ works, including arrangements of Bach&#8217;s Wohltemperiertes Klavier for organ (www.mdg.de). Her focus on contemporary organ music is reflected in recordings of Paul Hindemith&#8217;s and Max Baumann&#8217;s organ works. These days she sits at her organ or harpsichord at home, discovering the intimacy of Bach&#8217;s Kunst der Fuge and Leipziger Chorale.</p>
<p>If you are interested in listening to her recordings, please go to www.rosalindehaas.com</p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=55</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Joseph Freiherr von Eichendorff</title>
		<link>http://michaelkrams.com/?p=53</link>
		<comments>http://michaelkrams.com/?p=53#comments</comments>
		<pubDate>Mon, 04 Feb 2008 07:29:06 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2008/02/04/joseph-freiherr-von-eichendorff/</guid>
		<description><![CDATA[Wünschelrute  Schläft ein Lied in allen Dingen, Die da träumen fort und fort, Und die Welt hebt an zu singen, Triffst du nur das Zauberwort.]]></description>
			<content:encoded><![CDATA[<p class="itemtext">Wünschelrute </p>
<p>Schläft ein Lied in allen Dingen,<br />
Die da träumen fort und fort,<br />
Und die Welt hebt an zu singen,<br />
Triffst du nur das Zauberwort.</p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=53</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gratitude</title>
		<link>http://michaelkrams.com/?p=51</link>
		<comments>http://michaelkrams.com/?p=51#comments</comments>
		<pubDate>Wed, 16 Jan 2008 16:32:53 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2008/01/16/gratitude/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://michaelkrams.com/wp-content/uploads/2008/01/hf_pirouette11.jpg" title="For the grandmothers"><img src="http://michaelkrams.com/wp-content/uploads/2008/01/hf_pirouette1.thumbnail.jpg" alt="For the grandmothers" /></a></p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=51</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lisbon &#8211; The Day After</title>
		<link>http://michaelkrams.com/?p=34</link>
		<comments>http://michaelkrams.com/?p=34#comments</comments>
		<pubDate>Mon, 10 Dec 2007 08:42:34 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2007/12/10/the-day-after/</guid>
		<description><![CDATA[In 1997 I had to give a talk in Lisbon. I arrived in the twilight of sunset and was impressed &#8211; amongst other things &#8211; by the large number of statues and monuments all across town, many carved out of white stone. The fin de siecle architecture of the surrounding buildings was accentuated by cast [...]]]></description>
			<content:encoded><![CDATA[<p>In 1997 I had to give a talk in Lisbon. I arrived in the twilight of sunset and was impressed &#8211; amongst other things &#8211; by the large number of statues and monuments all across town, many carved out of white stone. The fin de siecle architecture of the surrounding buildings was accentuated by cast iron balcony railings on buildings up to four storeys high.</p>
<p>I went to bed before midnight. My hotel room had wonderfully high ceilings.</p>
<p>I woke up late. I opened the wooden shutters of my hotel room, with vertical movements of my arms, mimicking a bird opening its wings. The bright sunshine took a while to get accustomed to. But what I saw made me rub my eyes again: The appearance of the city had completely and dramatically changed:</p>
<p>Overnight, the citizens of Lisbon, had wrapped up every single statue and monument in town in black drape, held together by white rope. That night, apparently, a dictator had taken over control in the former Portuguese colony of Timor. Not only were white statues draped in black cloth, but the black cast iron balcony railings everywhere in town had white sheets hanging from them, a concerted symbol of solidarity of the citizens of Lisbon with the oppressed people in Timor.</p>
<p>Then the birds came. Black, against the cream white background of the municipal hall. I recall the exquisite slowness with which I perceived their movement, as if time was held in suspense, captured by stroboscope snapshots, which are attached.</p>
<p><a title="The Day After" href="http://michaelkrams.com/the-day-after/"><img src="http://michaelkrams.com/wp-content/uploads/2007/12/birds11.jpg" alt="The Day After" width="50%" /></a></p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=34</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Joseph Freiherr von Eichendorff</title>
		<link>http://michaelkrams.com/?p=30</link>
		<comments>http://michaelkrams.com/?p=30#comments</comments>
		<pubDate>Thu, 06 Dec 2007 02:48:15 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2007/12/06/joseph-freiherr-von-eichendorff-1832/</guid>
		<description><![CDATA[Mondnacht Es war, als hätt der Himmel Die Erde still geküßt, Daß sie im Blütenschimmer Von ihm nun träumen müßt. Die Luft ging durch die Felder, Die Ähren wogten sacht, Es rauschten leis die Wälder, So sternklar war die Nacht. Und meine Seele spannte Weit ihre Flügel aus, Flog durch die stillen Lande, Als flöge [...]]]></description>
			<content:encoded><![CDATA[<p>Mondnacht</p>
<p><span dir="ltr" lang="de"> Es war, als hätt der Himmel<br />
Die Erde still geküßt,<br />
Daß sie im Blütenschimmer<br />
Von ihm nun träumen müßt.</span></p>
<p>Die Luft ging durch die Felder,<br />
Die Ähren wogten sacht,<br />
Es rauschten leis die Wälder,<br />
So sternklar war die Nacht.</p>
<p>Und meine Seele spannte<br />
Weit ihre Flügel aus,<br />
Flog durch die stillen Lande,<br />
Als flöge sie nach Haus.</p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=30</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Giuseppe Ungharetti</title>
		<link>http://michaelkrams.com/?p=29</link>
		<comments>http://michaelkrams.com/?p=29#comments</comments>
		<pubDate>Wed, 05 Dec 2007 02:21:09 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2007/12/05/giuseppe-ungharetti/</guid>
		<description><![CDATA[Tra un fiore colto e l&#8217;altro donato &#8211; l&#8217;inesprimibile nulla.]]></description>
			<content:encoded><![CDATA[<p>Tra un fiore colto e l&#8217;altro donato &#8211; l&#8217;inesprimibile nulla.</p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=29</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mis en bouteille au chateau</title>
		<link>http://michaelkrams.com/?p=28</link>
		<comments>http://michaelkrams.com/?p=28#comments</comments>
		<pubDate>Tue, 04 Dec 2007 02:32:37 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2007/12/04/mis-en-bouteille-au-chateau/</guid>
		<description><![CDATA[In the southwest of France, there is a haunted castle that is said to house in its cellar 391 bottles, mis en bouteille au chateau. The label on each is code for an idea, describing a desire dissolved in red wine, waiting to be reborn. Imagine you are the cellar master, tasked with exchanging the [...]]]></description>
			<content:encoded><![CDATA[<p>In the southwest of France, there is a haunted castle that is said to house in its cellar 391 bottles, mis en bouteille au chateau. The label on each is code for an idea, describing a desire dissolved in red wine, waiting to be reborn. Imagine you are the cellar master, tasked with exchanging the corks, or even more exciting, only once during your lifetime, adding another bottle or two to the collection.</p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=28</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mozart himself</title>
		<link>http://michaelkrams.com/?p=27</link>
		<comments>http://michaelkrams.com/?p=27#comments</comments>
		<pubDate>Tue, 04 Dec 2007 01:48:12 +0000</pubDate>
		<dc:creator>krams</dc:creator>
				<category><![CDATA[Vignettes]]></category>

		<guid isPermaLink="false">http://michaelkrams.com/2007/12/04/mozart-himself/</guid>
		<description><![CDATA[As a young boy I used to stand in front of my father&#8217;s loudspeakers and conduct the orchestra that was playing for me, just for me, through the broadcast of the local radio station. In my imagination the musicians were exquisitely reactive to any of my desires. On one of these occasions, however, it suddenly [...]]]></description>
			<content:encoded><![CDATA[<p>As a young boy I used to stand in front of my father&#8217;s loudspeakers and conduct the orchestra that was playing for me, just for me, through the broadcast of the local radio station. In my imagination the musicians were exquisitely reactive to any of my desires. On one of these occasions, however, it suddenly dawned on me that Mozart himself might be listening in. What started as a suspicion swiftly turned into certainty: Yes, he was watching, and most probably laughing, too, at the absurdity of the little boy trying to exert his influence upon the world. Needless to say that the conducting in front of the loudspeakers abruptly came to an end.</p>
]]></content:encoded>
			<wfw:commentRss>http://michaelkrams.com/?feed=rss2&#038;p=27</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

